Show goes on after tour crash deaths
The News Review:
- Show goes on after tour crash deaths
- The local music scene has live shows to satisfy all tastes
- Notorious BIG Wrongful-Death Suit Tossed – News Story | Music…
- Music Lead zzy sbourne
- Performance party packs them in at PS 122
- East Village Rough & Ready
- John C. Reilly – a rock legend you’ve never heard of
Show goes on after tour crash deaths
The Australian – Dec 20, 2007
Six others all men aged between 19 and 26 suffered non-life threatening injuries in the single vehicle crash and were taken to Coffs Harbour Hospital. The Geelong-based band was headed for Sydney for a performance last night at Sydney University after playing last night in Brisbane. The band were supporting US death metal outfit All Shall Perish on their "Christmas Carnage" tour. The tour’s promoter Destroy All Lines yesterday expressed its sympathies and condolences over the crash. But it said the US band would continue its tour. "After extensive consultation with all concerned parties Destroy All Lines is now in a position to announce that this evening’s performance by All Shall Perish at Hermann’s Bar in Sydney shall continue as planned" the statement said. Australia’s heavy metal music community was last night mourning the deaths of Damo and Andy… But it said the US band would continue its tour. "After extensive consultation with all concerned parties Destroy All Lines is now in a position to announce that this evening’s performance by All Shall Perish at Hermann’s Bar in Sydney shall continue as planned" the statement said. Australia’s heavy metal music community was last night mourning the deaths of Damo and Andy. Tributes started appearing on the band’s MySpace website soon after news of the crash broke. "2 day is a sad day 4 Aussie Metal – RIP Damo and Andy" one of the hundreds of website tributes said. Another message said: "The Red Shore were one of Australia’s best ever metal bands with such a promising future". While acknowledging the sadness of the crash NSW Deputy Police Commissioner Dave wens reminded drivers about the dangers of driver fatigue.
The local music scene has live shows to satisfy all tastes
Houston Chronicle – Dec 19, 2007
So put down the remote (you’ve seen Christmas Story 11 times already) and celebrate what’s left of the season at one — or a few — of the week’s holiday-themed concerts. But we’re not talking solemn choirs or kiddie choirs. Santa’s local-music list includes Texas country death metal experimental rock and liberal dashes of hip-hop and pop:Hey there HandsomesLocal popsmiths the Handsomes attract hundreds of fans to this annual Christmas show. This is the fifth holiday installment. It’s proof that music especially from a Houston-based band doesn’t always have to be cynical or loud or even particularly cool. Sometimes it just needs to be fun. And there’s absolutely nothing wrong with that.
Notorious BIG Wrongful-Death Suit Tossed – News Story | Music…
MTV.com – Dec 19, 2007
Rob Zombie has piled more solo-show off-dates during his North American tour with zzy sbourne. The metal monster will play additional gigs Wednesday (Indianapolis); Friday (Rochester New York); January 4 (Poughkeepsie New York); January 6 (Norfolk Virginia); January 11 (Scranton Pennsylvania); January 13 (South Burlington Vermont); January 18 (Kitchener ntario); January 22 (Buffalo New York); January 23 (Columbus hio); January 24 (Grand Rapids Michigan); and January 28 (Albuquerque New Mexico). Legendary singer Burt Bacharach classic-rock group the Band iconic jazz drummer Max Roach and others will be honored with Recording Academy Lifetime Achievement Awards on February 9 during Grammy week… The prolific producer along with Roberta Flack earned Record of the Year honors in 1972 and 1973 for the singer’s “The First Time Ever I Saw Your Face” and “Killing Me Softly With His Song” respectively. He also led Rhino’s reissue campaign when it began in 1993 taking the reins for the campaign production and annotation of almost two dozen releases. “The recording industry has lost a true music lover and respected professional and our deepest sympathies go out to his family his friends and all who have benefited from his gift” Recording Academy President Neil Portnow said in a statement issued Tuesday. [This story was originally published at 2::23 pm E.
Music Lead zzy sbourne
Cleveland Free Times – Dec 19, 2007
It comes on the heels of yet another summer of zzfest but the tireless sbourne who's somehow successfully avoided retirement even as he approaches 60 says he's happy to be back in the land of arenas. "It's been fantastic" he says in his typically thick British accent that's often punctuated with expletives ("fucking" comes out "fockin"). "I was getting pissed off because I did zzfest and I said "Will I ever do arenas again?' So here we are. The schedule isn't that grueling… His heart stopped twice. He also admits that had he been awake at the time ex-guitarist Randy Rhoads got on the airplane in 1982 that would crash and kill him he would have gone with him. "My assistant and I were just talking about Randy Rhoads' death" sbourne says. "He's still fuckin' a part of my life. It's really strange the way things work out. I just heard that Kevin Dubrow of Quiet Riot passed away. And somehow I'm still here.
Performance party packs them in at PS 122
The Villager – Dec 19, 2007
Add cheap beer and you’ve got the perfect conditions for a come-as-you-are holiday carnival. The Catch series a “rough and ready” nomadic performance party curated by Jeff Larson and Andrew Dinwiddie administered by Caleb Hammons and lit by Zach Brown has been going on for nearly five years mostly in Williamsburg. This first weekend of two at PS 122 featured performances of Asubtout’s aptly named “The Lady Centaur Show: A Nouveage Fantasy Death Metal Poperetta” each night along with assorted in-progress improvisational and video works. Friday night’s show opened with Heather lson’s “Curious awake not possible” a work in progress slated for premiere in March at Dance Theater Workshop. The duet with Emily Tschiffely with music by James Lo begins in the familiar movement territory of a certain locus of production though I’d hesitate to call it generic given the performers’ talents — their fingertips communicate volumes. PS 122’s intimate downstairs space is perfect for this experience: every nuanced gesture and facial expression is close up. What makes this particular dance special is the way it creates expectation through unison and mounting discord and ends with a wonderfully unpredictable image of literally slipping failure and return… This first weekend of two at PS 122 featured performances of Asubtout’s aptly named “The Lady Centaur Show: A Nouveage Fantasy Death Metal Poperetta” each night along with assorted in-progress improvisational and video works. Friday night’s show opened with Heather lson’s “Curious awake not possible” a work in progress slated for premiere in March at Dance Theater Workshop. The duet with Emily Tschiffely with music by James Lo begins in the familiar movement territory of a certain locus of production though I’d hesitate to call it generic given the performers’ talents — their fingertips communicate volumes. PS 122’s intimate downstairs space is perfect for this experience: every nuanced gesture and facial expression is close up. What makes this particular dance special is the way it creates expectation through unison and mounting discord and ends with a wonderfully unpredictable image of literally slipping failure and return. Heidi Schreck on the other hand begins strong and loses some power toward the end in her lecture-as-performance. Presented in the guise of a student essay about the constitution she read at American Legion Halls “What the Constitution Means to Me” directed by Kip Fagan educates the audience about the number of amendments (27) and recently amended rights such as women’s suffrage.
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East Village Rough & Ready
Gay City News – Dec 20, 2007
Add cheap beer and you’ve got the perfect conditions for a come-as-you-are holiday carnival. The Catch series a “rough and ready” nomadic performance party curated by Jeff Larson and Andrew Dinwiddie administered by Caleb Hammons and lit by Zach Brown has been going on for nearly five years mostly in Williamsburg. This first weekend of two at PS 122 featured performances of Asubtout’s aptly named “The Lady Centaur Show: A Nouveage Fantasy Death Metal Poperetta” each night along with assorted in-progress improvisational and video works. Friday night’s show opened with Heather lson’s “Curious awake not possible” a work-in-progress slated for premiere in March at Dance Theater Workshop. The duet with Emily Tschiffely with music by James Lo begins in the familiar movement territory of a certain locus of production though I’d hesitate to call it generic given the performers’ talents – their fingertips communicate volumes… This first weekend of two at PS 122 featured performances of Asubtout’s aptly named “The Lady Centaur Show: A Nouveage Fantasy Death Metal Poperetta” each night along with assorted in-progress improvisational and video works. Friday night’s show opened with Heather lson’s “Curious awake not possible” a work-in-progress slated for premiere in March at Dance Theater Workshop. The duet with Emily Tschiffely with music by James Lo begins in the familiar movement territory of a certain locus of production though I’d hesitate to call it generic given the performers’ talents – their fingertips communicate volumes.
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John C. Reilly – a rock legend you’ve never heard of
San Francisco Chronicle – Dec 19, 2007
President” (a protest tune from the ’60s) and “(Have You Heard The News) Dewey Cox Died” (Cox’s attempt to imagine the sorrow that would accompany his own death) Reilly says they had 40 songs. “It’s a ‘Box of Cox’ ” he notes. Every few years another music mockumentary comes out on in the mold of the faux-metal skewering of “This Is Spinal Tap. ” But “Walk Hard” aims for a slightly different target: the bloated Hollywood fictionalization of a musician’s life complete with a loyal first wife relentless womanizing drugs depravity rehab and the redemptive love of a good woman. Biopics have been a staple of filmmaking forever but the success of “Walk the Line” and “Ray” made the self-serious heavy-handed exposition impossible for Kasdan and Apatow to resist poking fun at. ne of the most effective recurring jokes in the movie is the absurdly literal dialogue – the announcement that say Cox is in a destructive midcareer moment or that the ’60s are a really turbulent time as it’s supposedly happening. “The whole exercise of doing a biopic is almost ridiculous in and of itself” Reilly says “but there’s something about that whole story arc that’s hardwired into us for some reason.