Loudside.com – Music – Interviews – Exclusive Interview With ‘Moos…

The News Review:

- Loudside.com – Music – Interviews – Exclusive Interview With ‘Moos…
- Washington Post Staff Writers
- Letters & emails
- Musicbox -DAWN Images; May 20 2007
- THIS WEEK IN THE ARTS
- Mixed (Media) Messages

Loudside.com – Music – Interviews – Exclusive Interview With ‘Moos…
Loudside.com – May 20, 2007
com: n the subject of the new material I know you guys were going for more of a classic thrash sound. Would you say you’re more leaning more toward what Trivium did in sounding more retro or more along the lines of what Machine Head did like classic thrash style with a more modern edge to it?Moose: Umm we really don’t try and do what anyone else is doing or has done. We just wrote these songs as fans of metal music really you know what I mean. So it still sounds like Bullet For My Valentine… com: h ok so it’s not really anything serious then?Moose: No it’s just they’re cuttin em out. I didn’t wanna play that festival. It’s just all like Death metal and they just stuck us in there and I was like ‘h my god why are they doing that?” (laughing)Loudside. com: So other than that his voice is fine then right?Moose: Yeah his voice is fine. Cause we had to cancel a couple of shows and we don’t wanna do that again so the best thing to do is just cut out his throat. (laughing)Loudside.

Washington Post Staff Writers
Washington Post – May 20, 2007
MASTDN– Wednesday doors at 6 p. The Atlanta quartet always has been hard to put a finger on: Its music exists somewhere between prog-metal and hardcore with elements of punk death metal and grindcore thrown in just for fun. Not that the labels matter as fans of unrelentingly heavy guitar-rock continue to come out in droves. With Against Me! Cursive and These Arms Are Snakes.

Letters & emails
guardian.co.uk – May 20, 2007
When you realise there are such things as prohibition deprivation and absence of music Arctic Monkeys’ second album woes seem rather overblown. As listeners we are spoilt and I don’t think many British acts appreciate the importance (or relative unimportance) of their profession. Throughout Ben Thompson’s interview the young man’s eloquence and intelligence were palpable… And although Vulliamy got the best from Dickinson – I particularly enjoyed the ppenheimer stuff – I’d like to have met more of the band’s young fans in India in order to try and understand the passion for a gloriously British institution. Vikki Rimmer by emailI would like to complain about your recent piece on Iron Maiden in India. This is the latest in a series of articles in which you take metal bands seriously and don’t treat them with the disdain that is demanded by the fashion police. You are in danger of actually persuading your readers that it is acceptable to consider metal bands as worthy of their attention. I suggest you review your editorial policy or you’ll end up with a magazine that encourages people to listen to music based on its worth rather than how hip it is. JK BristolHonest JonI thought Jon Savage quite superbly summed up Arctic Monkeys’ Favourite Worst Nightmare in MM 44. His review didn’t just fall into the ‘these boys can do no wrong what a follow-up’ category.

Musicbox -DAWN Images; May 20 2007
Pakistan Dawn – May 20, 2007
The new tracks have been recorded by the Mob Rules lineup of the band featuring Dio on vocals Tony Iommi on guitars Geezer Butler on bass and Vinny Appice on drums. The new tracks are Devil Cried (a mid-tempo track) Shadow of the Wind (a very slow-paced song) and Ear in the Wall (a fast and riff heavy track). The tracks are just average heavy metal songs which are simply boring and forgettable as the lyrics are cheesy and un-inspiring and the overall music is just dry which is a shame as these tracks feature heavy metal veterans and legends. What these tracks have in common is that they sound more like Dio songs than Black Sabbath songs and to be honest they sound like something you would expect from a typical Dio solo release. The only track that some what satisfies is Ear in the Wall much thanks to Tony Iommi and Geezer Butler.

THIS WEEK IN THE ARTS
Columbus Dispatch – May 20, 2007
Bright Eyes refers to young indie-rock-informed folk singer Conor berst who will arrive with a full band to play from the new album Cassadaga. Tickets cost $25 at the Wexner Center for the Arts box office (614-292-3535) and Ticketmaster outlets. ? Mastodon will perform heavy metal on Monday in the Newport Music Hall 1722 N. Cursive Against Me! and These Arms Are Snakes will also play; doors will open at 6 p. (The concert was moved from the Lifestyle Communities Pavilion… Tickets cost $29 at the pavilion and Ticketmaster. ? The rock ‘n’ roll sermon delivered by Reverend Horton Heat features rockabilly and pomade-slathered showmanship. The band will perform Thursday in the Newport Music Hall 1722 N. Murder by Death will play first; doors will open at 7 p. Tickets cost $15 at the box office (614-358-7625) and Ticketmaster.

Mixed (Media) Messages
New York Times – May 20, 2007
It is worth watching for she speaks candidly about her core inspiration her parents both teachers who instilled in her a love of words literature and poetry in particular the poems of Dickinson. Later she spent some time in India where she became attuned to the colors tactility and directness of South Asian temple sculpture. She also became engrossed in eastern mysticism music yoga and meditation. You’ll find all of these influences and more in Ms. Dill’s installations at the Neuberger show which go beyond a simple visual experience to become a kind of performance. In addition to making the artworks especially for the space she has arranged them in such a way as to present viewers with something similar to a cinematic experience. To enter this exhibition is to step into an imaginary sometimes winsomely mad fantasy world… Her art evokes an imaginative and emotional space deftly balancing sure concrete reference points with whimsical intimations of some other larger escapist universe. You either take it all on faith and give yourself over to the artist and her work or back up and walk right out. Language as a catalyst for ideas about life death and the afterlife underpins two other major works here “Rise” (2005-2006) and “Shimmer” (2005-2006). “Rise” consists of a lacquered red fabric sculpture of a seated female figure with 11 banners of hand-dyed red silk rising up from her back and onto the wall. It seems to be a female version of “Rush” though it takes its inspiration from accounts of visionary experiences that Ms. Dill collected in 2000 in Winston-Salem N.