Now in his prime Christian Tetzlaff loosens up a bit
The News Review:
- Now in his prime Christian Tetzlaff loosens up a bit
- My Year Inside Radical Islam
- The Gauntlet: Therion Metal News
Now in his prime Christian Tetzlaff loosens up a bit
San Francisco Chronicle – Jan 31, 2007
At this age if your life goes K it’s the time to be less uptight. ” At 40 Tetzlaff’s life seems to be going just fine. He is one of the music world’s most prominent and highly acclaimed violinists known not only for his incisive and impassioned treatment of the Romantic standards but also for his equally compelling approach to Bach and contemporary music. His performances and recordings — unaccompanied with orchestras and in partnership with pianists Leif ve Andsnes and Lars Vogt — have garnered praise for their combination of expressiveness and intellectual sophistication. And he seems to have a fearless willingness to tackle any branch of the violin repertoire and then see how he likes it. Still caution and precision seem bred into his approach to the world. In conversation the boyish thin-lipped Tetzlaff holds his cards close to the vest; he’s shy and soft-spoken as though an ill-chosen word would be difficult to recover from… After graduating from school he studied for a few years in Cincinnati then returned home to start entering — and winning — competitions. By the time he was in his 20s he was well on his way to a prominent career. Today Tetzlaff makes his home near Frankfurt with his wife an orchestral clarinetist and their three children who also have musical interests — one is a violinist one a cellist and his eldest son at 14 is a death-metal fan who has begun to play the electric guitar. A dedication to family life Tetzlaff says is part of what makes his peripatetic career possible and he is adamant about making his schedule conform. “The rule is that I work a week and then I’m a week at home. The most I ever do — and it’s rare — is two weeks and fortunately I have agents who know this and respect it. It’s ridiculous to have a wife and children if you’re not there.
My Year Inside Radical Islam
AINA – Jan 31, 2007
Everything was haram to them. A key moment that for me was the bridge to accepting a fully legalistic interpretation of Islam was when I stopped listening to music — something that many conservative Muslims regard as haram. This was not easy: I had loved music ever since I was a kid and had an enormous CD collection. But after wrestling with the issue I decided that I would stop listening to music and even broke in half a favorite mixed tape from college. For Adam Gadahn the moment that he stopped listening to music came very early in his spiritual development — and it must have been very difficult for him as he had been a death metal afficianado and even a musician of sorts. John Walker Lindh’s fascinating Usenet postings (as doodoo@hooked. net) also reveal him becoming legalistic as well as increasingly agitated by theological deviance… This was not easy: I had loved music ever since I was a kid and had an enormous CD collection. But after wrestling with the issue I decided that I would stop listening to music and even broke in half a favorite mixed tape from college. For Adam Gadahn the moment that he stopped listening to music came very early in his spiritual development — and it must have been very difficult for him as he had been a death metal afficianado and even a musician of sorts. John Walker Lindh’s fascinating Usenet postings (as doodoo@hooked. net) also reveal him becoming legalistic as well as increasingly agitated by theological deviance. In July 1996 he asks in alt.
The Gauntlet: Therion Metal News
thegauntlet.com – Jan 31, 2007
Most people into esoterism have not read enough about the topic. In the band’s recent cover feature in Metal Maniacs Johnsson explains the stylistic shift for the album (which fans have come to expect) and how it is not “gothic” at all in the musical or image sense: “It’s completely different from anything else we’ve done. We had five writers working on this album; we only had three core band writers before so that has expanded our horizons. We have also opted for more typically rock vocal styles. We are influenced by quite a lot of ’70s bands like Uriah Heep and [even] have Heep’s Ken Hensley [guesting on the album]… Most people into esoterism have not read enough about the topic. In the band’s recent cover feature in Metal Maniacs Johnsson explains the stylistic shift for the album (which fans have come to expect) and how it is not “gothic” at all in the musical or image sense: “It’s completely different from anything else we’ve done. We had five writers working on this album; we only had three core band writers before so that has expanded our horizons. We have also opted for more typically rock vocal styles. We are influenced by quite a lot of ’70s bands like Uriah Heep and [even] have Heep’s Ken Hensley [guesting on the album].
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